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Demo of the Month
Eclectic Estonian five-piece Bizarre have been an
item since 1993, when their tastes lay in the
post-MBV dreampop scene. As avowed supporters of
'the underground', the band's cohesive identity
marks them as strong contenders for future
success.
Describing themselves as a circle of five vague
figures - a PR consultant of Tartu city
government, a photo model, a DJ, a semiotics
student and a producer of radio ads - who are
completely sure that they can express their way
of living, conversations, views and memories into
music, bizarre are nothing if not self-confident.
"Originally intended as an experimental
dance track for a performance with Spring Heel
Jack in January, "Any Day" turned out
better than we thought, so we descided to keep
it," explains Lauri.
The track starts off with a pitchbent soft pad
sound from the D-5 and a muted guitar sample
taken from an old FM CD. Fuzzy white noise from
an old Telecaster running through the SE-70 leads
in the main beat alongside a delayed four-note
motif. The real hook in Any Day comes from the
vocals though, using male and female voices for
identical takes an octave part - made up, in fact
from eight layered parts recorded with chorus,
delays and reverb before being compressed via
DBX266 - the effect is reminiscent of some of The
Beloved's earlier tracks: gentle vocals and
laconic lyrics contrasting with busy, stripped
drum'n'base-ish rythms and bottom end. Apart from
the XP-50 baseline, all the parts were recorded
and edited on a SoundScape hard-disk recording
system, with drums provided by a fairly simple
sampled loop enhanced with cymbals and snares
from the D-4. The various harmonics and riffs
that punctuate the track are all courtesy of the
workforce D-5 through various effects modules,
and a sweet accoustic guitar solo is dropped in
towards the end, adding an unlikely twist to this
wry commercial track. |